Flannery O’Connor is one of the names most closely associated with the southern gothic style of fiction and very often, the American south is one of the main characters in her stories, even if it has no lines and does not play a direct role. Throughout “A Good Man is Hard to Find” images of the south are frequent and interestingly, while we hear the grandmother pining for the good old days of the plantation south, back when she was a belle and could smile at the “cute” negroes, we cannot help but recoil. This sickening adherence to just about every stereotype of the old South that the grandmother represents is part of what makes her a grotesque character. In fact, every member of the family is grotesque in some way; the children by their over-the-top rudeness and lack of manners, the father by his intense, simmering anger paired with a bright, happy-looking parrot shirt, the mother by her lack of personality or character—and, of course, the Misfit by his complete lack of regard for anything or anyone. This is not a delightful portrait of the south or a southern family—it is a critique.
The use of foreshadowing is one of the most-used literary devices in “A Good Man is Hard to Find” and instances of foreshadowing range from very direct (constant mentioning of the Misfit and how dangerous he is even though no one has any idea where he is) and smaller uses. Everything in this story works together to create a mood and part of this mood, this tone in “A Good Man is Hard to Find” is very much based on foreshadowing, especially after the family crashes. Notice that the car approaches slowly to “help” them and that it looks like a hearse. Notice as well that just about everything that happens once the family leaves is clouded with a certain darkness; the trip to Red Sammy’s, which is touted as being like a tourist attraction, is actually a lot like hell—for a great explanation of this see the web source on the next page that provides important quotes matched with main themes in “A Good Man is Hard to Find.”Performing a character analysis of characters in “A Good Man is Hard to Find” would be rather difficult unless you choose the only character who really stands out—the grandmother. Notice that she is never named directly, she is simply referred to by her status in the family and, of course, her age. The mother, who barely speaks, is not named. If you are writing an essay on “A Good Man is Hard to Find” and are looking for a short topic to write about, consider the conference of names and meaning. Those characters who are named, are done so in interesting ways. For example, the young boy, John Wesley, is named after the founder of the Methodist religious movement whereas his sister, June Star, has a very modern name.
The meaning of “A Good Man is Hard to Find” by Flannery O’Connor is difficult to untangle, if only because the death of the family is so meaningless and all of their petty business getting to Florida, stopping to eat, having little family squabbles all results in nothing but a swift end. In some ways then, the meaning of “A Good Man is Hard to Find” is about the lack of meaning itself when confronted with the dull hate of crime. All of the things that we occupy ourselves with, that we find important in the moment, are really nothing. I’m not trying to depress you here or anything (although if you read the story you’re probably already feeling a little depressed) but in many ways it seems that O’Connor goes through such great lengths to detail the journey so that she can build character profiles and also so that she can show just how grimly meaningless many of the small things we concern ourselves with are in the grand scheme of things. After all, it is not until she is confronted with death that the grandmother shows any sign of depth and even this has been, in countless analysis efforts by scholars, also seen as a final act of manipulation.
Look at the sources on the next page for “A Good Man is Hard to Find” for far more explanation of the meaning of “A Good Man is Hard to Find” in terms of salvation and religion. This is one of the main themes in “A Good Man is Hard to Find” but there are so many scholarly opinions about the notions of grace, divinity, and the salvation of the Misfit and the grandmother alike that it’s best to let you wander through and see what you think. There is no right or wrong answer here; that’s part of what makes this story so engaging, even so many years after it was written.
Critical analysis on "A good man is hard to find" Essay
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Religious Symbolism in “A Good Man Is Hard To Find”
This paper will present a rhetorical context for the use of violence in the short story, “A Good Man Is Hard to Find,” as she presented in her essay “The Element of Suspense.” The form of classical tragedy in this story will also be analyzed from the critical theories of Aristotle and Longinus. Tolstoy will be used to examine the use Christian symbolism. Nietzsche will provide a more well-rounded universal conclusion to the uses of tragedy and spiritual elements in this classic story.
Flannery O’Connor gave a talk about “A Good Man Is Hard to Find” in 1963 at Hollins College, Virginia, which was published as the essay, “The Element of Suspense In ‘A Good Man Is Hard to Find.’” In this…show more content…
“Writing Short Stories,” an essay summarizing O’Connor’s concepts of the elements of good fiction, was a lecture she gave to a group of creative writing students in 1961. She stated that “In good fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work” ("Writing" 807). The use of symbolism in “A Good Man Is Hard to Find” created a story which seemed to follow a classic model for tragedy. O’Connor explained “I do think, though, that like the Greeks you should know what is going to happen in the story so that any element of suspense in it will be transferred from its surface to the interior” ("Suspense" 802). She created a “cathartic experience” for the purpose of eliciting “a degree of pity and terror” from the audience, “even though its way of being serious is a comic one” ("Suspense" 802).
Elements of foreshadowing, contrived circumstances, and catharsis in “A Good Man Is Hard to Find” followed the classic model of Greek tragedy. The use of foreshadowing conformed to Aristotle’s concept of magnitude. He believed that “beauty is determined by magnitude and order” (Aristotle 47). The epigraph at the beginning of the story described travelers who must “pass by the dragon” on their journey to the “Father of Souls” ("Good Man" 593). The epigraph set the stage for the family’s trip and their encounter with danger.